Modify Exercises as needed!

Leslie Guerin • August 19, 2025

It’s About Progression, Not Perfection

How Barre and Pilates Teachers Can Use Stacking and Layering to Empower Clients

In group fitness, one of the most common questions instructors ask themselves is: “How do I teach a room full of people with different bodies, strengths, and experience levels—all at the same time?”

It doesn’t matter whether you’re leading a Pilates mat class or guiding clients through a Barre workout—the challenge is the same. Some clients will be brand new, just trying to find their balance, while others might be former dancers or longtime practitioners who crave intensity.

The solution isn’t to aim for perfection, nor is it to race to the hardest version of every exercise. Instead, the key is progression: creating a pathway where each client can safely and confidently find their version of success.

One of the most powerful ways to deliver this in class is through stacking—a method where you begin with a foundational exercise and gradually layer in options that increase the challenge. Clients can stop at the level that feels right for their bodies that day. The beauty of this approach is that it gives everyone ownership of their workout, without pressure to keep up or compete.

Let’s explore why “progression, not perfection” matters, how stacking works, and why Barre and Pilates are the perfect homes for this teaching philosophy.

Progression Over Perfection

Both Pilates and Barre were designed with progression at their core. Joseph Pilates’ mat repertoire builds from simple spinal movements into advanced exercises like the Teaser. Barre classes move from small isometric holds to larger dynamic combinations. Yet in the modern fitness landscape, it’s easy to lose sight of progression.

Instructors sometimes feel pressured to “deliver a burn” or showcase the hardest variation of a move. Clients may compare themselves to others and chase the most dramatic expression of an exercise. But perfection—whether it looks like a picture-perfect teaser, or holding a pretzel variation without shaking—was never the point.

Progression develops strength, control, and body awareness. Perfection is an illusion. Bodies are different. Life stages are different. Injuries, energy levels, and even the time of day impact how a movement feels. What matters most is building the tools step by step.

This is where stacking shines.

What is Stacking?

Stacking is the practice of layering difficulty on top of a foundation exercise. Think of it like building a house: first you lay the foundation, then you add the walls, then the roof. Each layer makes the structure more complete—but the foundation itself is already functional and valuable.

In fitness, stacking looks like this:

  1. Start with the base exercise. Example: A basic bridge in Pilates or a parallel thigh hold in Barre.
  2. Add the first layer. Maybe you add a squeeze of a ball, or introduce arm movement.
  3. Add the second layer. Now you might lift the heels, or extend one leg.
  4. Add the final layer. Combine the movements: single-leg bridge with arms overhead, or thigh hold with heels lifted and pulses.

At each stage, clients can choose whether to continue layering or hold steady. This creates a class where everyone is working at their challenge point, without anyone being left behind—or pushed too far.

Why Stacking Works in Mixed-Level Classes

1. It Meets Clients Where They Are

A brand-new participant may feel accomplished just performing the base exercise with good form. A seasoned client can move through multiple layers until they feel challenged. Both are working at their level, and both are progressing.

2. It Reduces Comparison

When taught well, stacking emphasizes choice rather than hierarchy. Clients learn that it’s not “better” to do the advanced version—it’s about finding the variation that supports their body in the moment.

3. It Builds Confidence

Clients who may never have attempted a teaser or pretzel variation feel empowered when they can stop at step two and still receive a complete workout. Progress becomes accessible, not intimidating.

4. It Keeps Advanced Clients Honest

Interestingly, many advanced participants never make it to the top layer because they’re genuinely working hard at the intermediate stage. They discover new weaknesses or imbalances that need attention. This proves that progression is valuable even when perfection isn’t reached.

The “Two Steps Back, One Step Forward” Approach

Another underused but invaluable teaching strategy in Barre and Pilates is what I call the “two steps back, one step forward” method.

When clients struggle with an exercise, the temptation is to either push harder or abandon it. Instead, guiding them backward to a simpler version, reestablishing form and breath, and then moving forward again often creates the breakthrough.

For example:

  • If a client collapses in a teaser, bring them back to a half roll-back. Revisit the abdominal engagement. Then reattempt the teaser with fresh awareness.
  • If a Barre client loses form in a standing pretzel, regress them to a seated pretzel. Once the alignment clicks, bring them back to the standing version.

This back-and-forth isn’t failure. It’s training. It reinforces the idea that learning is layered and cyclical. Just like life, progress is rarely linear.

Teaching Ownership of Movement

Stacking and regression strategies highlight a bigger message: clients own their movement.

As instructors, we provide the roadmap. We demonstrate the options. But ultimately, it’s the client’s choice how far they travel down the progression.

Encouraging clients to “choose their challenge” fosters autonomy. It shifts the goal away from external validation (looking like the instructor, or matching a peer) and toward internal validation (feeling strong, safe, and successful).

When a client realizes that they don’t need to perform the “full expression” of an exercise to reap its benefits, they learn to listen to their bodies more deeply. That’s the heart of both Pilates and Barre.

Practical Applications in Barre and Pilates

Let’s break down some examples of stacking in action:

Pilates

  • Bridge → Bridge with ball squeeze → Bridge with heels lifted → Single-leg bridge with arms overhead.
  • Hundred Prep → Halfway hold with bent knees → Pumping arms → Straight legs → Adding coordination (scissors or lowers).
  • Roll-Up → Half roll-back → Roll-up with bent knees → Full roll-up → Roll-up with weights or tempo changes.

Barre

  • Parallel Thigh Hold → Add small pulses → Lift heels → Add arm movement → Combine pulses with heels lifted and arms overhead.
  • Standing Pretzel → Seated pretzel → Standing pretzel with support → Standing pretzel without support → Add pulses or arm choreography.
  • Scooter → Small glute presses → Extend range → Add weights → Combine with balance challenge.

In each case, the progression is logical and accessible. Clients can stop at step one or two and still gain the intended strength and alignment benefits.

Why This Philosophy Matters Now

Modern fitness often glorifies intensity—longer planks, deeper squats, bigger lifts. But not every client needs or benefits from maximal challenge. In fact, many clients thrive most when they’re given permission not to max out.

Barre and Pilates are uniquely suited to teach this because both value alignment, control, and breath over brute force. By adopting stacking and regression as everyday teaching tools, we remind clients that:

  • Strength is built gradually.
  • Mastery comes from revisiting the basics.
  • The advanced version is just one option—not the destination.

Bringing It Into Your Teaching

If you’re an instructor, here are a few ways to start using progression instead of perfection in your classes:

  1. Plan Progressions in Advance. Instead of programming 20 unique exercises, choose 10 and build them out into layered stacks.
  2. Cue Neutrality. Instead of saying “if you can, take the harder version,” try “option one is this, option two adds this, option three adds this—stop at the place that feels best today.”
  3. Celebrate All Levels. Acknowledge when someone holds the foundational move with great form—it’s just as praiseworthy as pushing into the advanced option.
  4. Model Regression. Show clients that you, too, sometimes choose the simpler version. This normalizes the idea that fitness is not a linear path.
  5. Use Class Energy as Your Guide. Sometimes the strongest person in the room doesn’t even want the final layer—they’re challenged enough already. Read the room and adapt.

Final Thoughts

“Modify exercises as needed; it’s about progression, not perfection.”

This principle isn’t just a teaching tool—it’s a philosophy that makes movement more inclusive, empowering, and effective. Barre and Pilates both thrive on the idea that quality matters more than quantity. By embracing stacking, regression, and the two-steps-back-one-step-forward approach, we give clients a sustainable path to growth.

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Why the Regular Bra Doesn’t Work for Pilates A traditional bra is designed with one goal: to shape and support breasts under everyday clothing. Most are structured with: Rigid underwires that press against the ribcage. Narrow straps that dig into the shoulders. Hook closures that create pressure points along the spine. Materials meant for aesthetics, not breathability or movement. That’s fine when you’re sitting at a desk or going out for dinner. But once you lie down on a Pilates mat and start rolling, curling, flexing, and twisting, all of those design features work against you. Here’s why: Spinal Discomfort – Pilates mat work involves a lot of supine (lying on your back) positions. The hook-and-eye closure digs into your spine, making it impossible to fully relax into the mat. That constant pressure leads to tension and pain. Restricted Movement – Underwires and rigid fabrics restrict natural rib expansion. Pilates breathing is three-dimensional—it requires your ribs to expand outward and back into the mat. A stiff bra limits this, creating shallow breath and less effective core engagement. Strap Pressure – Narrow straps dig into your shoulders during roll-ups, teasers, or any exercise where arms are overhead. Over time, this creates tension in your neck and upper back, distracting you from the precision Pilates demands. Compromised Flow – Pilates is about finding flow and ease. If you’re constantly adjusting straps or wincing at a clasp digging into your back, you’re not flowing—you’re fidgeting. The Importance of Costume Choices in Pilates Joseph Pilates himself often referred to “contrology” as an art form, not just an exercise method. He cared about alignment, grace, and the whole-body experience. What you wear is part of that experience. Think of it as your “costume” for the role you’re playing in class: a student committed to moving with control, precision, and awareness. If your outfit is working against you—pinching, digging, or restricting—you’re not able to embody the method fully. When we talk about costume choices, we’re not talking about fashion statements or brand labels. We’re talking about gear that supports your physical comfort, safety, and performance . What to Wear Instead The good news? There are better options—gear that is designed for movement, breath, and spinal health. Sports Bras with Wide Bands Choose bras without clasps or underwires. Wide, flat bands distribute pressure evenly so there’s no digging when you lie on your back. Look for materials that are stretchy but supportive, allowing ribcage expansion. Straps that Support, Not Dig Racerback or cross-back straps often provide better distribution and freedom of movement. Adjustable but wide straps help customize fit without cutting into your shoulders. Seamless Designs A seamless sports bra reduces irritation from seams or hardware. The smooth surface also means less distraction when rolling or twisting. Breathable Fabrics Moisture-wicking fabrics keep you comfortable, especially in longer classes or when working deeply into your core. Breathability supports better skin comfort and prevents overheating. How the Right Gear Elevates Performance Some may wonder: “Isn’t Pilates gentle enough that it doesn’t matter?” Actually, it’s precisely because Pilates is subtle, precise, and deeply connected to body awareness that gear matters even more. When you’re wearing the right bra and clothing: You breathe better. Your ribs can expand, making core activation more effective. You move better. Nothing digs, pulls, or distracts you. You focus better. Your mind stays on alignment, not discomfort. You recover better. Less unnecessary tension means less strain post-class. Pilates is about efficiency. Every detail—your posture, your focus, your gear—affects how efficient your practice is. The Back Connection Why do I emphasize the back specifically? Because back pain is one of the most common reasons clients come to Pilates. When you wear a traditional bra in class, the hooks and underwires don’t just cause temporary discomfort—they can exacerbate chronic back tension. Imagine lying on a hard clasp for a 50-minute class: your muscles subtly guard and tighten around that pressure the entire time. That’s the opposite of what Pilates is meant to achieve. Pilates builds a strong, supported back by improving spinal mobility, core stability, and posture. Don’t undermine that by placing an uncomfortable piece of hardware directly under your spine. A Personal Note as a Teacher As someone who has been teaching Pilates and Barre for over 26 years, I’ve seen every wardrobe choice imaginable. I’ve seen clients show up in jeans, in slippery socks, in bras with enough underwire to set off airport security. 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